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Dec 18thA small but powerful show that speaks to the culturally complex trajectories of modernism in the 20th century, “Detail from a Mural” introduces New York City to the absolutely magnetic painter, poet and publisher Ahmed Morsi.
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Dec 5thArthur Jafa’s new film, AGHDRA is a glacial, abstract meditation on Blackness, the perpetual trauma of the transatlantic slave trade and the way those histories might play into the climate and refugee crises today.
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Dec 23rdRecent works by Tishan Hsu reveal the hidden form of our dystopian present within the static of current events.
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Dec 18thEach work in Maggie Lee’s “Vintage Paintings” at Jenny’s Gallery is its own special gift, a colorful package whose playful surface invites you to enjoy its idiosyncrasies.
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Dec 23rdThrough 55 photos—many never-before exhibited—and archival material, “Alternate Histories” adds texture to the ample discourse on Francesca Woodman, whose work refuses to conform to any singular reading.
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Dec 11thDrawing from sci-fi, tarot and other iconographies, Jessie Makinson depicts witchy and chimerical figures set in an erotic fantasy court.
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Dec 5thChris Oh turned to Hieronymus Bosch in realizing his latest body of work, which recreates select scenes from five triptychs, including, not least of all, the iconic The Garden of Earthly Delights.
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Jan 7th 2022There’s plenty on view at Christopher Knowles’s first solo show with Bridget Donahue for both new arrivals and those who have tracked his fifty-year career alike.
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Dec 23rd“Once Upon a Time,” Erna Rosenstein’s exhibition at Hauser & Wirth, is a dark fairytale distilling a lifespan of rage, processing and longing.
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Dec 18thHer third show with the gallery, “Psychic Nerve” continues Mira Dancy’s steady upward trajectory—while employing her fundamentally formalist approach to explore as-yet uncharted spatial, philosophical and fantastical territories.
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Jan 1st 2022On view at The Museum of Modern Art, Shigeko Kubota’s “Liquid Reality” showcases shimmering experiments in memoir, dislocation and illegibility.
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Jan 8th 2022Inaugurating 52 Walker, Kandis Williams’s “A Line” asserts the ability of dance to transcend the constraints of history.
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Jan 15th 2022The stillness, the disquiet, the funereal aura. Every aspect of Cinga Samson’s paintings advances the sense of an alternative world—parallel to ours, but not out of sight.
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Dec 23rdIn her new exhibition at the Kitchen, Jen Liu subverts the Millennial-pink vernacular of contemporary feminine life.
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Jan 10th 2022Etel Adnan’s first museum exhibition in New York work spans over half a century and challenges the division between the Lebanese polymath’s writing and visual art.
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Dec 5thThe white box of Miguel Abreu Gallery serves as the perfect slate for Marina Rosenfeld’s experimental acoustic architecture.
