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Jul 16thFor her latest solo show at P.P.O.W., Ann Agee has turned the interior of the gallery into a tchotchke shop.
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Jul 10thOn view at Company Gallery, “Dog” honors all that is evocative of dog-ness.
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Jun 30th“Lone and Level,” Oren Pinhassi’s first solo show with Helena Anrather, includes four sculptures made of plaster and sand, some standing as high as eight feet, which are like caryatids broken free of the structures they once supported.
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Jul 10thA group show at a83 showcases architectural drawings as radical and infinite vessels for thought and visual analysis.
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Sep 12thIn this group show of fourteen contemporary non-binary and femme-identified artists, femininity is the lifeblood of the past, the land, and above all, the future.
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Jul 17thBiblical references run deep in this exhibition at James Fuentes, a collection of works the late Thornton Dial made in the 1990s.
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Jul 2ndThe paintings and prints on view in “In Praise of Shadows” make visible that which all too easily slips away.
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Sep 6thThe first large-scale institutional presentation of Niki de Saint Phalle in the United States explores her trailblazing forays into architecture, playgrounds, books, prints, film, theater, clothing, jewelry, and perfume.
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Jul 17thPaul P.’s watercolors, oil paintings, and ink drawings, on view at Queer Thoughts, are sensual depictions of faintly seen figures which probe the artist-muse relationship.
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Jul 11thIn “Vigilator,” his second solo show with Ramiken, Phillip John Velasco Gabriel depicts flashes of futurity across largely spare canvases, as if tailored for a generation with a split-second attention.
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Jul 30thIn “Dandelion Song,” Srijon Chowdhury’s second solo show with Foxy Production, flowers are the vessels for narrative, for emotions, for mysticism.
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Sep 12thSeven decades of Louise Bourgeois’s artwork and writing is on display in “Freud’s Daughter” at The Jewish Museum, probing her unresolved relationship to Freudian psychoanalysis.
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Jun 28thViewed in darkness, Elise Duryee-Browner’s “Vibe of the Era” and its accompanying text at Gandt is an ambiguous meditation on currency and materiality.
