"Albers and Morandi: Never Finished” surveys two seminal twentieth century painters whose work, despite their formal differences, engages color and form through variations on visual themes.
Jessica Dickinson's latest exhibition at James Fuentes interrogates the slow interactions between thought, matter, reflection, and perception over time.
Marking the acquisition of a major trove of works, this large exhibition at MoMA traces the ways in which European artists of the 1920s and ‘30s harnessed technological and societal changes to create new kinds of art.
Martin Puryear's latest exhibition at Matthew Marks Gallery brings five sculptures presented at the 2019 Venice Biennale to engage lived histories, including a queenly tribute to Sally Hemings.
In Gregory Edwards’ fourth show with 47 Canal, paintings inspired by sojourns around the city imagine the ways that hardware and software have rewired both cities and the ways we conceptualize and move through them.
“Cross-cuts,” Brazilian gallery Nara Roesler’s inaugural exhibition at its new Chelsea location, spans fifty years to spotlight nine of its artists as well as its own history.
A new show at Marian Goodman goes back to beginnings to Multiples Inc., a publishing venture the gallerist co-founded in the 1960s to further democratize art.
Spread across both Jack Shainman’s gallery locations, “Gordon Parks: Half and the Whole” showcases a 30-year selection of work from the iconic photographer, who documented African American life in the second half of the 20th century.
In "From the Dark Sea," Elizabeth Schwaiger’s first solo exhibition with Jane Lombard Gallery, a shifting dualism occupies the canvas: the moments in which decadence and disaster converge.
Mira Schor returns to Lyles & King in an exhibition showcasing paintings made between 2017 and the end of 2020. Known for her overtly political work, a group of Schor’s more reflective paintings created during the pandemic is also on view.
Featuring seventeen canvases by Frederic Edwin Church and ten by Mark Rothko—artists who lived a century apart—“Church & Rothko” explores the qualities of the sublime.
In her latest show, Margaret Lee’s canvases and installations recall the anonymous accumulations of the city and the tenuousness of its infrastructure.
Thirty-odd sculptures capture consciousness mid-mutation in Tishan Hsu’s first U.S. museum survey, exploring the twinned promise and threat of technological advancement.