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Jan 9th 2022“Ways of Attaching” at the Swiss Institute traces Rosemary Mayer’s desire to connect the tactile beauty of textile to semiotics, historical figures, and female empowerment.
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Oct 31stTyler Mitchell’s first two shows expand a conception of Americana aesthetics to include idyllic scenes from Black history, domestics, and everyday life.
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Oct 23rdIn her newest exhibition at Marian Goodman, Tacita Dean raises a pantheon of figures dead or lost, spanning centuries, continents, and the artistic imagination.
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Oct 23rdMarcel Dzama’s works at David Zwirner are nostalgic not just for life before the current pandemic, but also for a time long ago, when nature retained an unknowable allure.
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Oct 9thThe late Barbara Ess was the rare figure whose strength lay in navigating that oft-maddening void between an impalpable idea and its physical articulation. Ess was in the process of curating this exhibition when she passed away in March 2021. Her longtime friend and collaborator, the filmmaker Peggy Ahwesh, stepped in to see the project through.
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Sep 19thThis exhibition surveys more than 100 works created over five decades by the Lebanese artist Huguette Caland.
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Oct 3rd“The New Woman Behind the Camera” showcases 120 artists from more than 20 countries, capturing but a portion of a wave of photographic production by women that swept the world.
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Sep 25thSpread across both Miguel Abreu's Lower East Side galleries, “The Poet-Engineers” brings together an array of mostly sculptural works that pose, and respond, to their own hermetic riddles.
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Oct 12thPolymathic artist, writer, and performer Gregg Bordowitz’s mid-career survey at MoMA PS1, “I Wanna Be Well,” memorializes, mourns, and agitates for awareness of the AIDS epidemic.
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Sep 30thThe ninth iteration of an exhibition which has all but documented the rise of the personal cell-phone camera, “Social Photography IX” includes a lengthy roster of artists—all 5 x 7 inch prints, priced at an affordable $50 - $75—a benefit exhibition to support the gallery program.
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Sep 25thMathew Cerletty’s solo show at Karma meditates on how we imbue the non-precious with sentimental meaning.
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Oct 16thNicole Storm creates an immersive installation that combines drawings, paintings, and sculptural works at White Columns.
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Sep 26thIn the work of Oscar yi Hou, sitter, setting, and painter meet in a whirlwind of jewel-toned signifiers.
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Oct 11thCentropy —the coming together of energy, or the opposite of entropy—is the guiding light of this Guggenheim exhibition of Deana Lawson’s recent work,
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Sep 25th“Objects for Living: Collection II,” an exhibition of the work of artist-designer Daniel Arsham, reinvents the home with objects sinewy, curvy, and bulbous.
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Oct 2ndAs the curator behind Karma’s sprawling summer group show, Hilton Als considers human nature in terms of essential survival instincts.
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Sep 25thAtop a collapsible plastic table near the entrance of Bridget Donahue sits a heap of cardboard boxes, displayed messily like zines at a DIY book fair—part of the artist Martine Syms’s current exhibition “Loot Sweets.”
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Jan 1st 2022Lucy Raven’s commission draws upon systems of industrial production in the Western United States to extend Dia’s investment in land artists to its new Chelsea space.
