In Camille Blatrix's first exhibition in New York, the Paris-based artist engages the prevalence of advertising imagery, saturated to the point of becoming its own visual language.

In a new series of films and portraits, Shirin Neshat draws connections of resemblance, parody, irony, and mutual demonization between the United States and Iran through the imagery and mythos of the New Mexican landscape.

Eddie Martinez's latest solo show at Mitchell-Innes & Nash unveils eight new paintings that display his signature style of chaotically rendered—yet decidedly figurative—compositions.

Showing at the Bronx Museum after its controversial cancellation at the Museum of Contemporary Art Cleveland, "The Breath of Empty Space" argues for a new way of looking and attention, and with it, of nuance and empathy.